One of the Princess' earlier works playing around with dissonance to mold it into something interesting.
Usually abbreviated as '14 Summers/Goldfish Tattoo'.An early draft, originally meant to become a full-fledged song. The Princess remains proud of this piece. It additionally stands as a testament to her distaste for naming her own work, and the spite with which she approaches the exercise.
Another draft of what was meant to become a full song. The title was surprisingly meant to be final.
One of the Princess' studies into creating different sounds and atmospheres. As a little piece of trivia, the heartbeat heard in the background is a heavily distorted bass guitar, played at a BPM matching an average human heartbeat.
A short piece written in less than an hour as a study of sorts.
An audio note of what could have become the basis for a full song.
A short and spontaneous cover of Hot Milk by Snail's House, a particularly nostalgic track, on the classical guitar.
A short piece I recorded to apply as composer for an indie game.
A cover of Grass by Sam Gopal, originally with Lemmy on guitar and vocals. I recorded the bass, vocals and guitar.
A cover of Joshua Tree by Carly Rae Jepsen. I recorded the bass, vocals and guitar. I'm not the proudest of this cover, but there's still stuff in there I think is cool.
A cover of Kaela Kovalskia's original song 'dahlah.', on classical guitar. I really had fun figuring out the chords to this one, probably my favourite cover I did.
A failed attempt at recording a cover of Promise by Akira Yamaoka. My undoing was ultimately recording everything and realising at the end that the song really needed drums. Lesson learned: When I need drums, I'll program them first, not last. Still, I had fun working on the soundscape on this one.